SYNOPSIS of Babygirl:
“Babygirl” is not categorized as a romantic comedy, nor is it strictly a romance or a comedy, despite its exploration of emotional themes and a refreshingly irreverent sense of humor. The narrative unfolds over an extended Christmas season and follows Romy, portrayed by the captivating Nicole Kidman, a married woman who embarks on a dominant-submissive relationship that nearly engulfs her. This film delves into the complexities of womanhood, the physicality of bodies, and the societal constraints imposed on juniorbola both, examining the implications of a woman revealing her innermost self. Consequently, it also addresses themes of power, albeit with unique nuances.
Romy serves as the CEO of a sophisticated and expanding robotics firm, juniorbola which, based on its promotional materials, appears to specialize in warehouse automation. The robots, designed to transport goods, are likely to render human labor obsolete in the future; however, they currently symbolize a woman who has meticulously organized every facet of her life. In her New York residence, she prepares for another demanding day at work, yet she also dons a disheveled apron to pack her children’s lunches, complete with handwritten notes. The absence of domestic help is a notable detail. The apron contrasts sharply with her professional role and the seemingly flawless nature of her home life, prompting her bewildered husband, Jacob (Antonio Banderas), to inquire about it.
Babygirl Movie Review Rating:
Director: Halina Reijn
Writer: Halina Reijn
Stars: Nicole Kidman, Harris Dickinson, Antonio Banderas, Sophie Wilde, Esther McGregor
Rating: R
Running Time: 1h 54m
Genres: Crime, Drama, Mystery, Thriller.